Advanced Fiction Writing Blog

It’s A Outrage!

“It’s a outrage!” my plumber Sam bellowed through the phone.

I held the phone as far from my ear as I could. “Um, Sam, what’s this about? I paid that invoice of yours.”

“I ain’t talking about that and you know it. You gone and double-crossed me!”

Given the massive amount of money Sam has overcharged me over the years for his dubious plumbing skills, I thought that was a bit ironic. “How have I double-crossed you?”

“I seen it just now on Goodreads! You went and … put up a free copy of that danged book of yers.”

“And that damages you how?”

“Ain’t it obvious? I paid good money fer that book three years ago when it first come out. Now yer giving it away like it’s dirt.”

“Sam, my publisher is providing some books to help me run a promotion. You know, to increase visibility.”

“Oh right, Mr. Bigshot Author. Yer book’s #1 in its category on Amazon, but you got to always be pushing fer more, more, more. When there’s other authors who got to do honest plumbing work just to put food on the table.”

“Honest plumbing work? Who might that be?”

Sam coughed. “What I meant was mostly honest plumbing work.”

“It’s been nice chatting with you, Sam, but I need to be –”

“Not so fast, Mr. Giving-Away-The-Farm. I want my money back on that book of yers that I bought.”

I walked out to the kitchen and turned on the faucet. “Hey, that reminds me. You remember that leak you fixed last month under the kitchen sink?”

“Terrible pipes you got in that rickety old house of yers. Wouldn’t be surprised if something breaks again. Real soon.”

“Sam, you must be psychic. I’m thinking I want my money back on that wretched excuse for a repair that you did. It’s leaking worse than ever and –”

“Whoa, look at the time!” Sam shouted. “Well, hey there, big feller. It’s been real nice chatting with you, but I got to be getting on to the next job. Busy, busy, busy! And congratulafications on that promotion yer running.” He hung up.

“Who was that?” my wife called from the family room.

I shrugged. “Sam the plumber. He called to congratulatify me on the nice promotion my publisher is helping me run right now on Goodreads.”

“That’s nice of him. Did you mention that the sink is leaking again?”

“Of course.”

“And what he did he say?”

I sighed deeply. “It’s a outrage.”

Goodreads Book Giveaway

Writing Fiction For Dummies by Randy Ingermanson

Writing Fiction For Dummies

by Randy Ingermanson

Giveaway ends May 26, 2013.

See the giveaway details
at Goodreads.

Enter to win

 

What If Your Story Is Unconvincing?

What if you’re halfway through your novel and it just doesn’t feel convincing? Do you scrub the project? Keep wallowing on through the muck? How do you know what’s right?

Annick posted this question on my “Ask A Question For My Blog” page:

I’ve had a story theme that I’ve wanted to write as a novel for 4-5 years. My first breakthrough was discovering your Snowflake method, which really helped me to get started, define where I wanted to go, and how I was going to get there (eternally grateful)…
The trouble is, now I’m half way through my second draft, and I believe that the last half of my story isn’t convincing. I know where I want to end, and I believe that I’ve told a good story to about half way along the road, but I’m really not sure that the last few miles are ones I can write as well about as the first.
Any ideas? Should I work on different endings to see if I get a breakthrough? Should I carry on regardless and edit like a devil once I’ve got some meat on the bone? Does it mean that my main characters are flawed in some way I can’t determine? Is the first part of my story misdirected in some way?
The snowflake seems to have melted…

Randy sez: First of all, congratulations on getting through the first draft! That’s a major milestone in writing a novel. I’m delighted to hear that my pesky Snowflake method played a role in your getting there. I hear from writers all the time who’ve found it helpful, and that makes me incredibly happy.

Be aware that many, many, many novelists reach the same point you’re at, midway through editing the second draft, and suddenly get hit with a bad case of the “crappies.” As in, “Uh-oh, my novel is crappy and my story is worthless and I have no talent and probably my best career choice will be sweeping streets with a toothbrush.”

I suspect the solution to your problem is pretty simple. Let me lay it out for you in three stages:

  1. Finish this second draft you’re on. Sure, you feel a little wobbly about it right now. That’s common. It might possibly even be normal. If you’ve ever run a race over a mile distance (or 1600 meters), the third lap can be pretty rough, and that’s about where you are right now in your race to finish this book.
  2. Get a second opinion from somebody you trust. Maybe a skilled writer in your critique group who has shown herself trustworthy in the past. Maybe a good freelance editor. But you need somebody to read the whole manuscript and give you an objective viewpoint. (“Objective” here means “somebody who isn’t you.”) You may need to pay something for this, but very good friends often do it for free.
  3. Read that opinion, and then read through the whole manuscript as fast as you can, making a few quick notes on what you see, now that your eyes have been opened by a second opinion.

Once you’ve done all of the above (yes, it’s a lot of work, but professional writers work really hard), make the decision. Do you go on with the project? Do you walk away from it?

Either decision can be valid. If the story is fundamentally flawed and can’t be fixed, then walk away. If you’ve just lost all taste for the story and you can’t stomach working on it for one more second, then walk away. But if you see renewed hope for a way to make the story work, well then.

It might take you a month or two to get there, but when you do, email me privately on my Contact page to let me know how it turned out. I’ll be interested to hear what you learned and which way you decided to go.

Good luck!

If you’ve got a question you’d like me to answer in public on this blog, hop on over to my “Ask A Question For My Blog” page and submit your question. I’ll answer them in the order they come in.

 

Those Pesky Editing Paradigms

What’s the right way to edit your novel? Or … is there a right way?

Noah posted this question on my “Ask A Question For My Blog” page:

I am an amateur writer, and have no idea when to begin revisions. Should I start revising the first part of my writing part way through, or begin revision once I am finished with the whole work?

Randy sez: This is a good question, and there’s no one right answer that works for everybody.

If you’ve read my book Writing Fiction For Dummies, I have a chapter on Creative Paradigms. A Creative Paradigm is a method of getting a first draft down on paper. In my book, I mention four common Creative Paradigms:

  • Seat of the Pants
  • Edit As You Go
  • The Snowflake Method
  • Outlining

Each of these is perfectly valid, and there are best-selling novelists and award-winning novelists who use each of them. Depending on how your brain is wired, you’ll work best with one particular Creative Paradigm.

Different writers use different Editing Paradigms also. I haven’t put much time into polling writers to find out their Editing Paradigms, but it wouldn’t surprise me to learn they’re as varied as the Creative Paradigms.

The “Edit As You Go” Creative Paradigm actually mixes in Creation and Editing very tightly. The author writes a bit (a page or a scene) and then edits it immediately. Sometimes this unit gets edited many times before the writer is ready to go on. But once the page is done, it’s pretty close to being final. Dean Koontz writes this way, and so do many other writers.

The important point is that whatever works for you is whatever works.

Here’s what works for me, and I gather that there are quite a few authors who work roughly this way:

I plan my novels in advance, working through my Snowflake method to create a Snowflake document that spells out at a high level how the story is going to go.

Then I write the first draft (usually quite quickly) using my Snowflake document as a guide. As I complete each quarter of the book, I revise the Snowflake document to be up to speed with the changing story. (A story is not fixed in stone, and neither is a Snowflake document).

During the first-drafting period, every day I do a quick ten-minute edit of the previous day’s work. (Usually, this is 2000 to 3000 words.) I fix any spelling and grammar errors and I tweak the wording. If there are obvious problems in the storyline, I fix them. That’s not common, because Snowflaking tends to produce stories that don’t have major structural problems.

Having done a ten-minute edit of yesterday’s work, I’m then primed to start work on the next chapter. I drill that out without doing any editing, and if I have time, I write another scene, up to my daily word-count.

This keeps me moving forward, and I never feel like I’m getting bogged down in a morass of words.

I organize my writing into folders. I have a main folder named “Books Written”.

Within that folder, I have a folder for each book, named with the original working title of the book.

Within each book folder, I have a number of organizational folders for Proposals, Research, Marketing, etc. The first draft goes into a folder named “Draft 1″.

When I’ve finished the first draft and am ready to start editing, I duplicate the entire “Draft 1″ folder and name the copy “Draft 2″. Then I never change anything in “Draft 1″ again. I work in “Draft 2″ until I’ve done a complete revision.

I generally do 5 or 6 drafts, and for each of these, there’s a separate folder. When I look at the files, they’re ordered nicely and it’s easy to see what’s the current draft. It’s the highest numbered “Draft” folder.

As I mentioned, I’ve never tried to figure out what Editing Paradigms other writers use, but this might be a good time to do it.

So authors, please leave a comment and describe your Editing Paradigm! There’s no prize here, other than the massive fame you’ll get by leaving a comment on the Advanced Fiction Writing Blog. And what more could you want than that?

If you’ve got a question you’d like me to answer in public on this blog, hop on over to my “Ask A Question For My Blog” page and submit your question. I’ll answer them in the order they come in.

Amazonopoly

“We got to break that Amazonopoly before it kills us all.” My plumber Sam wiped his greasy hands on his coveralls.

“Amazonopoly?” I looked over Sam’s shoulder at the pinhole leak in the valve under my sink that was fizzing a thin spray of water. Sam is a big 300 pound teddy bear of a guy who suddenly became an expert on the publishing industry when he found out I’m a novelist.

“Amazon is gonna crush you if you ain’t careful.” Sam grabbed a pipe wrench, leaned in under the sink, and began banging experimentally on the drywall. “Hmmm, sounds a little thin there.”

“So what exactly has Amazon done to harm me?”

Sam’s voice sounded exasperated and slightly muffled. “Ain’t it obvious? First, they sell everything they got at dirt-cheap prices. Second, they obsessify on giving their customers a great experience. Third, when you go on their site, they know what you like and they offer you more stuff like it.”

Those are good things. The reason Amazon is doing well is because they treat their customers better than their competitors do.”

“Well it’s monoplification and it’s gonna wreck the whole business.”

“I suppose you’re going to tell me that when Amazon gets a monopoly, they’re going to raise prices,” I said. “There’s just no evidence of that.”

“I ain’t gonna tell you that cuz that’s stupid.” Sam backed out from under the sink and stood up, stretching his massive frame. “When they get their monopoly, they’re gonna just keep treating their customers like gold — spoiling ‘em with sensible marketing and great service. It’s disgusting. Plus they’ll keep those prices slashed right to the bone. It’s evil and we got to stand up against it.”

“What’s evil about that? Low prices are good for the customer. And they’re good for authors.”

“Shows what you know,” Sam said. “What kinda royalty rate do you get on them self-published e-books of yours?”

“70%,” I said. “That’s incredible. B&N pays only 65%.”

“Hmmmmph, Amazon gives me only 35% on my e-books. I bet you got yours priced at some sissy price like $9.99.”

“Of course not. $2.99.”

Sam gave me an incredulous stare. “2.99? I got all mine priced at fifty bucks.”

I nearly dropped my flashlight. “You have books published on Amazon?”

“Course I do.”

“Um, what do you write?”

“Fiction novels. Mystery fiction novels. You know, storybooks where somebody gets whacked by a bad guy.”

“You never told me you were writing mysteries.”

“Well, I do and they’re selling like crazy, only not on Amazon. Smashwords gives me 85%, and lucky enough, I’m selling boatloads of copies there.”‘

By now I was dying of curiosity. “Tell me the title of one of your books.”

Sam grinned broadly. “My best selling book is called JOE WHACKS SAM THE PLUMBER. And no, it ain’t autobiological, even if the villain is based on a real feller named Joe. I hate him cause he charges low prices. It ain’t fair to the other plumbers.”

“In a mystery, you usually don’t want to reveal the name of the murderer,” I said. “That’s kind of the point.”

I do things different. Got a whole series of JoeDunnit books. See, Joe’s real name is Joe Dunn, get it?”

“And people buy these books?”

“Course they do. Fifty bucks a pop. I’m moving thirty, forty copies a week on Smashwords, but not a one on Amazon.”

“A week?” This wasn’t adding up. At all. “So how’s the valve looking?”

Sam dug a thick pinkie into his ear, gouged out a giant glob of … something, rolled it in his fingers, sniffed it, dropped it on the floor, and crushed it under his boot. “Lucky for you I got a valve just this type in my truck. Seeing as how you decided to have yer major emergency on Saturday night when the stores is all closed, it’d be a trick to find this puppy in a store. Just need to turn off the main valve outside, pop in the new little feller, and write ya up a invoice.”

“OK, sounds like you’ve got it under control.” I went into my office, shut the door, and looked up Sam’s book on Smashwords.

Amazingly, he seemed to be telling the truth. He really did have a novel titled JOE WHACKS SAM THE PLUMBER listed on Smashwords. He had a whole series of JoeDunnit books. All listed at $50.

And he had incredibly consistent reviews. Every single review was a scathing one-star.

  • “This is the worst book I’ve ever read.”
  • “I’d give it 0 stars if I could.”
  • “This is a laugh-out-loud horrible excuse for a pathetic imitation of a novel.”

Smashwords doesn’t tell you how many copies a book has sold, but Sam’s book had over a hundred one-star reviews. What the devil was he doing to move so many copies at fifty dollars apiece?

Sam began knocking on my office door, a rapid series of booms.

I leaped to the door and opened it. “All done already?”

Sam gave me an enormous grin. “Working perfect. Easy as cake. You might need to do just a bit of patching on the drywall there under the sink. The wrench kinda slipped. But other than that, peachy keen.”

I took the invoice and looked at it, ready to argue. Sam tends to work in some truly outrageous charges, but since he’s the only plumber I could find to come out late on a Saturday night, I hadn’t had much choice.

“Let’s see, so you’re charging me how much just for coming out?”

Normally a hunnert, but seeing as how it’s dark, a hunnert fifty. Ask any insurance feller, the mortalification rates go up at night.”

“How much would that valve cost in a store?”

“Maybe twenty, but I ain’t a store. And anyway, I had to make some custom adjustments to make it fit. It wasn’t quite the one I’da bought if there was a store open, but there wasn’t and it works. For now.”

“And a charge for ‘loss of entertainment?’ Want to explain what that’s about?”

“Well, it’s obvious, ain’t it? It being Saturday night, normally I’d be on a date with one of my lady friends.”

I looked at Sam with what I hoped was extreme skepticism. “Can I ask the name of some of your lady friends?”

Sam belched. “Well, there’s Natasha on GorgeousRussianGirls.com. She’s real nice, but the poor thing lives in a one-room apartment in Gdanks with her sixty-four brothers and sisters, and they’re all orphans.”

“Gdansk is in Poland.”

“And then there’s a real sweet gal in China–”

“OK, I get the picture. But this bill is ridiculous and you know it.”

“What, five hunnert? Sure, that Joe the Plumber feller woulda gave you a lowball price, but he ain’t here and I am. Why didn’t ya call him?”

“He wouldn’t come out this late on a Saturday night.”

“Well then.”

“Sam, this is outrageous, even by your standards.”

Sam shook his head. “I expect you’re gonna want a discount. Everybody these days is trying to knock off a nickel wherever they can. Lucky fer you, I’m a reasonable feller, so I’m willing to knock the price down to two hunnert, on one condition, take it or leave it.”

“What condition is that?”

Sam just stood there grinning expectantly.

“No,” I said. “You have to be kidding me. There is no way. Absolutely–”

“You got to help a feller author,” Sam said. “A guy just trying to move some copies.”

I stared at him for a long moment.

Sam didn’t blink.

Crap. I sat down at my computer. “I’m buying it on Amazon.”

“Uh-uh.” Sam pushed the invoice in front of my nose. “The discount’s only good when you buy a book on Smashwords.”

“Where you get 85%.”

“Amazon only gives a feller 35% at that price. It’s a outrage.”

I sighed and clicked the Buy button on Smashwords. A minute later, I was the proud owner of JOE WHACKS SAM THE PLUMBER.

Sam pushed the invoice in front of me with a $300 discount that read “Cross-promotion 4 JoeDunnit fiction novil.”

I wrote a check and handed it to Sam, vowing never again to have a plumbing emergency on a Saturday night.

Sam shoved the check into the front pocket of his coveralls and shook my hand with a crushing grip. “See, now yer part of the solution, not part of the problem.”

“What problem is that?”

“Yer helping break that Amazonopoly.”

“It’s the free market at work,” I said with as much sarcasm as I could muster.

Sam grinned happily. “Is this a great country, or what?”