Can you use the Snowflake Method to write a series of novels? Or does it only make sense to use it for each individual book in the series?
David posted this question on my “Ask A Question For My Blog” page:
Can the Snowflake method be extended to tie together a series of philosophical message/romantic literature novels?
My motivation: Self-interest to save me and those that I care about from the evils of Gov Goliath and coming economic, political and social collapse.
My Goal: Write a series of romantic literature novels starting with a controversial break-through that sells in sufficient numbers to be an efficient education tool, inspires readers to yearn for more and prompts readers to action to save themselves and those they care about by replacing compulsory territorial majority rule government with non-compulsory, non-territorial spontaneous order voluntary free market societies based on the actionable Golden Rule social contract and the non-aggression principle (NAP) that prohibits the initiation for force except in self-defense.
Target Audience: 20-year-old’s who are inspired by Ayn Rand’s “Atlas Shrugged” and enjoy romantic literature like “The Godfather” but yearn for more.
Word-of-mouth Audience: Same as above except those of any age.
Comment: The Snowflake method looks like the tool of choice for the individual novels in the series but the question is: Can the Snowflake method be used to tie the individual novels together into a coherent series that continues to build suspense by leveraging the backstory in previous sequels.
Randy sez: This is a good question, David, and people have asked me this several times in the past. I’ve also asked myself the question, because I’m currently working on a series.
For those just joining us on this blog, a little context might be helpful: What is the Snowflake Method? The Snowflake Method is a series of steps I created years ago for helping set up a roadmap for a novel. The purpose of the Snowflake Method is to make it easier to write the first draft of the novel. Some of the steps ask you to develop the plot; some ask you to develop the characters. Many people around the world are using the Snowflake Method, and my article on it has been viewed over 5 million times, and has been translated into several languages. For those who want to know more, I have a book out on the Snowflake Method, written as a fairy-tale business parable.
It should be clear that the work you put into character development using the Snowflake Method will be useful for all the books in your series. Since a big part of your character development is finding the backstory of each character, this won’t change from book to book.
But what about the plotting work? Are there elements of the Snowflake Method that you can use for the series? And will that save you work when plotting each book?
Yes and no.
Yes, you can use some elements of the Snowflake Method to help you define the overall plot of the series, as long as the series actually has an overall plot. I’d say the main element you’ll want to use is the Three-Act Structure. A series can often be divided into this structure, at least approximately. I think you can argue that the Harry Potter series and the Hunger Games series both fit the structure well. I suspect that the Twilight series also roughly fits the three-act structure, although it’s been a while since I read it, so I’ve forgotten most of the details.
Note that some series don’t really have an overall plot—they’re just a sequence of books without much structure. Lee Child’s Jack Reacher series is an example of a set of novels with no overall plot. Likewise Tom Clancy’s Jack Ryan series has no macro structure. This is neither right nor wrong. It’s just a decision on how you want the series to be, and authors typically make this decision early.
But no, it won’t save you any work on plot development for the series, because each book needs to stand alone as its own story. This means that the plotting aspects of the Snowflake Method need to be worked through for each book. And then you still have to work through the overall story arc for the series, which adds more work. But the main extra work you have to do is to define a Three-Act Structure, and this isn’t an unreasonable burden.
One final comment, David: You’re writing a series of message novels. These can do fantastically well in the market, if they’re done well. Ayn Rand’s novels were all message novels. So were the Left Behind series by Jerry Jenkins and Tim LaHaye. So are Dan Brown’s recent works. William Paul Young’s book The Shack was a message novel. And it’s easy to find more examples of megahit message novels. But it’s also easy to find examples of message novels that are poorly done, where the message overwhelms the story. Anyone who’s ever taught at a writing conference has seen plenty of these, and they’ll tell you that when a message novel is bad, it’s awful.
So be wary here. Make sure that your story is strong and that the message serves the story. When the story is forced to serve the message, things don’t work out so well. Work hard, and good luck!
If you’ve got a question you’d like me to answer in public on this blog, hop on over to my “Ask A Question For My Blog” page and submit your question. I’ll answer the ones I can, but no guarantees. There are only so many hours in the day.
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