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	<title>Comments on: On Crossing Gender Lines in Fiction</title>
	<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/</link>
	<description>America's Mad Professor of Fiction Writing</description>
	<pubDate>Wed, 16 May 2012 17:16:00 +0000</pubDate>
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		<title>By: Maureen</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11349</link>
		<author>Maureen</author>
		<pubDate>Fri, 06 Aug 2010 09:48:34 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11349</guid>
					<description>See how it's done - brilliantly. On Green Dolphin Street - Sabastian Faulks.</description>
		<content:encoded><![CDATA[<p>See how it&#8217;s done - brilliantly. On Green Dolphin Street - Sabastian Faulks.</p>
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		<title>By: Diana</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11353</link>
		<author>Diana</author>
		<pubDate>Fri, 06 Aug 2010 14:12:30 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11353</guid>
					<description>Alexander McCall Smith does his lady detective, Precious Ramotswe, very well.
I write from the male point of view, maybe because I live in a world populated by males- my family is heavy on guys- and shockingly enough, I like guys. My husband and sons read my stuff to make sure my guys are real, and so far the only protest I've had was when one of my characters said something was a 'tiny bit off balance'. The word 'tiny' troubled them.</description>
		<content:encoded><![CDATA[<p>Alexander McCall Smith does his lady detective, Precious Ramotswe, very well.<br />
I write from the male point of view, maybe because I live in a world populated by males- my family is heavy on guys- and shockingly enough, I like guys. My husband and sons read my stuff to make sure my guys are real, and so far the only protest I&#8217;ve had was when one of my characters said something was a &#8216;tiny bit off balance&#8217;. The word &#8216;tiny&#8217; troubled them.</p>
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		<title>By: Lois Hudson</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11357</link>
		<author>Lois Hudson</author>
		<pubDate>Fri, 06 Aug 2010 15:59:14 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11357</guid>
					<description>Great comments, Randy.  My critique group in OC SoCal does this for each other, and it does help - if your group is a mixed group, try a session of evaluating the voices of each others' characters.</description>
		<content:encoded><![CDATA[<p>Great comments, Randy.  My critique group in OC SoCal does this for each other, and it does help - if your group is a mixed group, try a session of evaluating the voices of each others&#8217; characters.</p>
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		<title>By: Richard Albert</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11358</link>
		<author>Richard Albert</author>
		<pubDate>Fri, 06 Aug 2010 16:11:19 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11358</guid>
					<description>Great post, Randy, and timely too.

Last weekend a female friend of mine who’s currently querying her latest work asked me to glance over the first few pages of a follow-up story.  It’s a typical romance, so of course there’s a man and a woman as typical romance novels have.  At one point, the man does something completely out of character for most men (way out there on the anti-macho-meter).  I had to blow the *unbelievable penalty * whistle.  I talked to her about the character for probably 20 minutes and poof! – new understanding.  Either she needed to write a bit more of why this character broke the stereotypical male or she needed to fix his thoughts and actions.  I gave my suggestions, she did her thing, and illusion is believable again.

I do exactly the same for my female characters.  In fact, to be sure I have it “right” I have 3 female critique partners who help go over the women in my stories.

Ya learn allot that way! :)</description>
		<content:encoded><![CDATA[<p>Great post, Randy, and timely too.</p>
<p>Last weekend a female friend of mine who’s currently querying her latest work asked me to glance over the first few pages of a follow-up story.  It’s a typical romance, so of course there’s a man and a woman as typical romance novels have.  At one point, the man does something completely out of character for most men (way out there on the anti-macho-meter).  I had to blow the *unbelievable penalty * whistle.  I talked to her about the character for probably 20 minutes and poof! – new understanding.  Either she needed to write a bit more of why this character broke the stereotypical male or she needed to fix his thoughts and actions.  I gave my suggestions, she did her thing, and illusion is believable again.</p>
<p>I do exactly the same for my female characters.  In fact, to be sure I have it “right” I have 3 female critique partners who help go over the women in my stories.</p>
<p>Ya learn allot that way! <img src='http://www.advancedfictionwriting.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /></p>
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		<title>By: Obinna Ozoigbo</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11359</link>
		<author>Obinna Ozoigbo</author>
		<pubDate>Fri, 06 Aug 2010 17:11:01 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11359</guid>
					<description>Gabriel, you've got to learn from the late Sidney Sheldon. It's all about imagination, for crying out loud. Work on your imagination. The horizon (or height) of the human imagination knows no bounds! For Gaud's sake, you should be able to know the characteristics and/or the idiosyncrasies of, at least, two of the following people, whom you see everyday, to fire your imagination:

1. Your Mom
2. Your Aunt(s)
3. Your Grandma(s)
4. Your Sister(s)
5. Your Niece(s)
6. [e.g.] Your Class Teacher (if female)
7. Your Physician (if female)
8. Your Attorney (if female)
9. Your Pastor (if female) or your Pastor's wife
10. [e.g.] Your Step-mother  
11. And, of course, your wife or girlfriend! 

. . . Gabriel, the list is endless. 

Watch them every time you see them. Study them. Look beyond the facade of those lipsticks, those mascaras, those rouges, those eyeshadows, those eyeliners, etc., and you will see a lot through the eyes of your imagination. From them, you can build your female characters. 

If Mr. Sheldon (of blessed memory) was able to do it, you must tell yourself that you CAN do it, too.

It is as simple as that.

Best wishes!</description>
		<content:encoded><![CDATA[<p>Gabriel, you&#8217;ve got to learn from the late Sidney Sheldon. It&#8217;s all about imagination, for crying out loud. Work on your imagination. The horizon (or height) of the human imagination knows no bounds! For Gaud&#8217;s sake, you should be able to know the characteristics and/or the idiosyncrasies of, at least, two of the following people, whom you see everyday, to fire your imagination:</p>
<p>1. Your Mom<br />
2. Your Aunt(s)<br />
3. Your Grandma(s)<br />
4. Your Sister(s)<br />
5. Your Niece(s)<br />
6. [e.g.] Your Class Teacher (if female)<br />
7. Your Physician (if female)<br />
8. Your Attorney (if female)<br />
9. Your Pastor (if female) or your Pastor&#8217;s wife<br />
10. [e.g.] Your Step-mother<br />
11. And, of course, your wife or girlfriend! </p>
<p>. . . Gabriel, the list is endless. </p>
<p>Watch them every time you see them. Study them. Look beyond the facade of those lipsticks, those mascaras, those rouges, those eyeshadows, those eyeliners, etc., and you will see a lot through the eyes of your imagination. From them, you can build your female characters. </p>
<p>If Mr. Sheldon (of blessed memory) was able to do it, you must tell yourself that you CAN do it, too.</p>
<p>It is as simple as that.</p>
<p>Best wishes!</p>
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		<title>By: Bruce H. Johnson</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11360</link>
		<author>Bruce H. Johnson</author>
		<pubDate>Fri, 06 Aug 2010 17:14:43 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11360</guid>
					<description>I had a reader email me and ask if I was male or female. Apparently, he found both genders appropriately characterized.

One might look up _Men are from Mars, Women are from Venus_ on Amazon. Electronics are available, at least as a CD. While the "philosophy" might not be "true", it has enough workability to make gender switches a lot easier.</description>
		<content:encoded><![CDATA[<p>I had a reader email me and ask if I was male or female. Apparently, he found both genders appropriately characterized.</p>
<p>One might look up _Men are from Mars, Women are from Venus_ on Amazon. Electronics are available, at least as a CD. While the &#8220;philosophy&#8221; might not be &#8220;true&#8221;, it has enough workability to make gender switches a lot easier.</p>
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		<title>By: Myric</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11377</link>
		<author>Myric</author>
		<pubDate>Sat, 07 Aug 2010 06:21:53 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11377</guid>
					<description>I don't see writing out of my experience like this as a problem, I see both a challenge and an opportunity!  It's tough to write out of your comfort zone, and even tougher to do it well.

Maybe the most entertaining part of this for me is when I've created and written parts for a female character and I bounce my ideas off my wife.  If I can pass her critical test, I know I'm on the right track.  She'll tell me right away if dialog, actions, mannerisms and so forth don't feel quite right.

So I say, find someone who can guide you in the right direction - a writing group (like Lois and Richard noted, above), friend of said sex, nationality, religion, etc. and ask them about their ideas.

It might be tough to find a Martian to interview, but everyone has a creepy neighbor or co-worker they can model their Martian after, right?</description>
		<content:encoded><![CDATA[<p>I don&#8217;t see writing out of my experience like this as a problem, I see both a challenge and an opportunity!  It&#8217;s tough to write out of your comfort zone, and even tougher to do it well.</p>
<p>Maybe the most entertaining part of this for me is when I&#8217;ve created and written parts for a female character and I bounce my ideas off my wife.  If I can pass her critical test, I know I&#8217;m on the right track.  She&#8217;ll tell me right away if dialog, actions, mannerisms and so forth don&#8217;t feel quite right.</p>
<p>So I say, find someone who can guide you in the right direction - a writing group (like Lois and Richard noted, above), friend of said sex, nationality, religion, etc. and ask them about their ideas.</p>
<p>It might be tough to find a Martian to interview, but everyone has a creepy neighbor or co-worker they can model their Martian after, right?</p>
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		<title>By: Sabrina</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11380</link>
		<author>Sabrina</author>
		<pubDate>Sat, 07 Aug 2010 08:44:24 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11380</guid>
					<description>Great post as usual! I think what it boils down to is write your character first and foremost as a character and then as an *adjective* person. 
When dealing with the *adjective* part of your character I think it's also important to keep in mind that most of those mannerisms are rather learned from whatever society your character lives in than innate genetic differences. Depending on how and where your character grew up this gives you a lot of freedom to deviate from whatever norm you think there might be.</description>
		<content:encoded><![CDATA[<p>Great post as usual! I think what it boils down to is write your character first and foremost as a character and then as an *adjective* person.<br />
When dealing with the *adjective* part of your character I think it&#8217;s also important to keep in mind that most of those mannerisms are rather learned from whatever society your character lives in than innate genetic differences. Depending on how and where your character grew up this gives you a lot of freedom to deviate from whatever norm you think there might be.</p>
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		<title>By: Davalynn Spencer</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11402</link>
		<author>Davalynn Spencer</author>
		<pubDate>Sun, 08 Aug 2010 14:11:14 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11402</guid>
					<description>Just re-read The Far Pavilions by MM Kay. You'd never know the author was a woman. Lots of exploding helicopters (1800s style involving swords, etc.), blood-letting and fight scenes. An amazing love story/historical novel. Yes, she knew something of India via first-hand experience and family connections, but she wasn't a man, yet she nailed it, in my opinion.</description>
		<content:encoded><![CDATA[<p>Just re-read The Far Pavilions by MM Kay. You&#8217;d never know the author was a woman. Lots of exploding helicopters (1800s style involving swords, etc.), blood-letting and fight scenes. An amazing love story/historical novel. Yes, she knew something of India via first-hand experience and family connections, but she wasn&#8217;t a man, yet she nailed it, in my opinion.</p>
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		<title>By: Tammy</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11433</link>
		<author>Tammy</author>
		<pubDate>Mon, 09 Aug 2010 16:50:13 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11433</guid>
					<description>I've been struggling with this as well.  I always come at the characters from the female POV, so for the most part I imagine them as female and can easily give them a history of experiences from that perspective.  I've changed one character to male and am working hard to try and find his voice.

I think that writing from the other gender can add more interest to the character anyway - giving a woman "male" characteristics isn't necessarily bad.  She could end up having more depth than a "normal" woman (whatever that is!) and that is the point of fiction! Escape from reality.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve been struggling with this as well.  I always come at the characters from the female POV, so for the most part I imagine them as female and can easily give them a history of experiences from that perspective.  I&#8217;ve changed one character to male and am working hard to try and find his voice.</p>
<p>I think that writing from the other gender can add more interest to the character anyway - giving a woman &#8220;male&#8221; characteristics isn&#8217;t necessarily bad.  She could end up having more depth than a &#8220;normal&#8221; woman (whatever that is!) and that is the point of fiction! Escape from reality.</p>
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		<title>By: Morgan L. Busse</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11459</link>
		<author>Morgan L. Busse</author>
		<pubDate>Tue, 10 Aug 2010 11:46:30 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11459</guid>
					<description>Funny enough I find it easier to create male characters than female (I'm a woman by the way... I know Morgan can be a man's name lol). 

Once in a while I'll ask my husband how a man would react in certain situation since I'm sure it would be different than a woman (like if a man receives really bad news, what would he feel? How does a man in shock differ from a woman in shock? How would his body respond? Stuff like that).</description>
		<content:encoded><![CDATA[<p>Funny enough I find it easier to create male characters than female (I&#8217;m a woman by the way&#8230; I know Morgan can be a man&#8217;s name lol). </p>
<p>Once in a while I&#8217;ll ask my husband how a man would react in certain situation since I&#8217;m sure it would be different than a woman (like if a man receives really bad news, what would he feel? How does a man in shock differ from a woman in shock? How would his body respond? Stuff like that).</p>
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		<title>By: Sabrina</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11495</link>
		<author>Sabrina</author>
		<pubDate>Wed, 11 Aug 2010 08:21:05 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11495</guid>
					<description>@Morgan

"Funny enough I find it easier to create male characters than female (I’m a woman by the way… I know Morgan can be a man’s name lol)."

I've encountered this problem myself and also heard similar stories from other female writers. I suppose the reason for that is that the mainstream media is bombarding us as casual viewers with well written male characters, while female characters are more often than not reduced to stereotypes. So naturally even we as women are or at least feel like we are more familiar with how men would react than it is with other women.</description>
		<content:encoded><![CDATA[<p>@Morgan</p>
<p>&#8220;Funny enough I find it easier to create male characters than female (I’m a woman by the way… I know Morgan can be a man’s name lol).&#8221;</p>
<p>I&#8217;ve encountered this problem myself and also heard similar stories from other female writers. I suppose the reason for that is that the mainstream media is bombarding us as casual viewers with well written male characters, while female characters are more often than not reduced to stereotypes. So naturally even we as women are or at least feel like we are more familiar with how men would react than it is with other women.</p>
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		<title>By: Advanced Fiction Writing Blog &#187; Blog Archive &#187; On Writing Convincing Male Characters</title>
		<link>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11555</link>
		<author>Advanced Fiction Writing Blog &#187; Blog Archive &#187; On Writing Convincing Male Characters</author>
		<pubDate>Fri, 13 Aug 2010 17:21:10 +0000</pubDate>
		<guid>http://www.advancedfictionwriting.com/blog/2010/08/05/on-crossing-gender-lines-in-fiction/#comment-11555</guid>
					<description>[...] sez: This is similar to a question I answered a few days ago in my blog entry, &#8220;On Crossing Gender Lines In Fiction.&#8221; That blog entry dealt with the question of whether it&#8217;s possible to cross those pesky [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] sez: This is similar to a question I answered a few days ago in my blog entry, &#8220;On Crossing Gender Lines In Fiction.&#8221; That blog entry dealt with the question of whether it&#8217;s possible to cross those pesky [&#8230;]</p>
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